Southern Heritage II by Steve Bourgeois Nottoway Plantation 9 x 12

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Seller: printss ✉️ (1,189) 100%, Location: Spring Hill, Tennessee, US, Ships to: US & many other countries, Item: 185649170192 Southern Heritage II by Steve Bourgeois Nottoway Plantation 9 x 12 . Southern Heritage II  By: Steve Bourgeois Signed and Numbered Nottoway Plantation   Overall Size: 9 x 12

Steve Bourgeois - Biography

Bourgeois can be seen around town painting en plein air. This technique imparts an immediacy to his paintings through the heightened contrast of light and shade and color values. He paints in a rapid loose manner to capture the elusive quality of the day. A native Louisianian, he currently lives and maintains his studio in Gonzales. He studied at the Baton Rouge  Fine Arts Academy and New Orleans Academy or Fine Art, as well as numerous workshops with some of the foremost artist in the country. He began his professional career in 1989, and takes great pride in his versatility. An accomplished portrait artist, he is equally skilled in urban studies, landscape, still life and figural painting, as well as large-scale murals. As one critic sums up Bourgeois' style of painting, "What magic! Loose, talking colors clearly describing the old hometown, not bothering to go into great detail about things. Select poets can also do this with just a few words."

Nottoway Plantation

John Randolph commissioned renowned architect Henry Howard  of New Orleans  with the task of designing the grand mansion with the intention that no expense would be spared in the construction. Howard sited the three-story wooden frame house, that includes a one-story rusticated stucco-covered brick base on a concrete foundation, to face east towards the Mississippi River . The entrance facade is asymmetrically balanced with a projecting bedroom wing to the left side and a large curved bay with galleries on the right. The main five-bay structure, with a central projecting portico, emphasizes height rather than width with the main living areas on the second and third-stories both being 15.5 feet (4.7 m) in height above the one-story basement, scored to appear as stone, and featuring an arched niche flanked with narrow fenestrations . The galleries are embellished with custom ornamental iron railings made in New Orleans, capped with molded wooden handrails. Double curved granite  staircases, installed by skilled mason, Newton Richards, rise to the second-story. These steps were built with the left side intended for ladies and the right side for gentlemen. The steps for the men can also be identified by the boot scraper at the bottom. The separate staircases were so that the men would not see the women’s ankles beneath their skirts as they climbed, which was considered a severe breach of social etiquette  at the time. The close spacing and angularity of the gallery's 22 square columns and their elongated capitals also emphasize the vertical qualities of the house. Above the capitals, small brackets branch out to carry a tall entablature  decorated with modillions , supporting a projecting cornice  that nearly covers the hipped roof that is pierced with six chimneys. In the rear of the house is a two-story garçonnière  wing where the Randolph sons resided.[2]

Construction of Nottoway was completed in 1859 at an estimated $80,000, and to prevent any duplicate homes being built, Randolph destroyed the architect's plans after completion.

Interiors [ edit ]

The first floor basement has been transformed into a restaurant and a small museum about the Randolph family, and the history of the plantation. Originally the space held the laundry, dairy, wine cellar and servants quarters, as well as a 10-pin bowling alley for the amusement of the children. The main staircase of Honduran mahogany is covered in green velvet and ascends to the Ancestral Hall on the third-floor. The hall was used by the Randolphs as a family parlor, being a central thoroughfare to many of the adjacent bedrooms, and gave access to the third-floor gallery with views of the Mississippi River. Nearby, is the master bedroom, with one of the three original bathrooms, as well as a small room that was used as a nursery  for Julia Marceline, the Randolph's last and only child born at Nottoway. During the Civil War, Emily Randolph utilized a bedpost at the end of the bed to hide valuable jewelry. Though originally bedrooms, one has been made into a music room displaying musical instruments from the 19th-century, and another known as the Wicker Room features wicker furniture originally owned by the Randolph family.Nottoway has over an acre of floor space spread out over three floors, and a total of 64 rooms with 165 doors and 200 windows, most of which can also double as doors. The house enjoyed 19th-century novelties such as a bathroom located on each floor with flushing toilets and hot and cold running water, gas lighting throughout the house and a complex servant call bell system. The principal rooms of the house are located on the second floor. The entrance hall runs the length of the house and is 12 feet wide and 40 feet long. Large Baccarat crystal  and brass chandeliers hang from the 15.5 feet (4.7 m) high ceilings and the doors with hand-painted German Dresden porcelain doorknobs and matching keyhole covers, leading to the adjacent rooms are 11 feet (3.4 m) tall. Above the doors and along the ceilings are plaster frieze moldings, with modillions interspersed with paterae , that are made from mud, clay, horse hair and Spanish moss. To the right of the entrance hall is the most unusual, and reportedly John Randolph's most favorite room in the house, the White Ballroom. With Corinthian  columns, hand-cast archways and an L-shaped extension into a curved bay, Randolph had it painted completely white, including the flooring, to show off the natural beauty of his seven daughters, six of whom would be married there. Featuring two fireplaces with hand-carved rococo  white marble mantles, there is also an original mirror placed so that the women could see if their ankles or hoops  were showing beneath their skirts. Over one of the fireplaces, there is a painting of Mary Henshaw (no relation to the family), whose eyes are said to follow the viewer around the room. Flanking the entrance hall to the left is a gentleman's study, a stair hall and the formal dining room. Both the study and the dining room feature black Italian hand-carved marble mantles on their coal burning fireplaces, and the rooms are filled with period antique furniture. The dining room plasterwork showcases pink camellias, Emily Randolph's favorite flower, and is the only plasterwork in the house to have color.

Grounds [ edit ]

The landscape for Nottoway was designed by John Nelson of New Orleans whose plan included 120 fruit and citrus trees, 12 magnolia trees, poplar and live oak trees, 75 rose bushes, 150 strawberry plants and a variety of flower and vegetable gardens. However, due to neglect and the erosion of six and a half acres of land by the Mississippi River, the gardens designed by Nelson no longer exist.[3]  Today, the house sits only 200 feet behind a river levee and the grounds include a small formal hedge garden adjacent to the garçonnière where the detached kitchen once stood, and a fountain courtyard in front of the southern bedroom wing. Surrounding the house are modern ancillary buildings that house offices and event facilities. The owners expanded the property in 2008 by building a carriage house, ballroom and nine Acadian-style cottages modeled after the property's original slave quarters, while the plantation was closed to the public for repairs, as a result of damage incurred by Hurricane Gustav .[4]  To the north of the house is the reconstructed stables, now re-purposed as a ballroom, and the Randolph cemetery where the remains of the family were reinterred in 2003.

History [ edit ]

19th century [ edit ]

John Hampden Randolph was born in Virginia  in 1813, a member of the prominent Randolph family . He migrated with his family to Mississippi when his father, Peter Randolph, Jr. , was appointed a federal judge in Woodville, Mississippi , by President James Monroe  in 1820.

John Randolph married Emily Jane Liddell in 1837 and went on to have eleven children with her. Randolph devoted most of his time to his cotton  plantation , but believing sugar production would be more lucrative he decided to move his family to southern Louisiana in 1842 where he purchased a 1,650 acres (6.7 km2) cotton plantation that he named Forest Home. Converting the plantation to sugar cane  production two years later and constructing Iberville Parish's  first steam-powered  sugar mill , he was able to triple his earnings over his cotton production. Within ten years he had increased his holdings to 7,116 acres (28.80 km2) and owned 176 slaves  making Randolph one of the largest slaveholders in the South. In 1855 he purchased an additional 400 acres (1.6 km2) of highland, and 620 acres (2.5 km2) of swamp  and Mississippi River-front land where he sought to build a more prestigious home that he named "Nottoway", after Nottoway County  in the part of Virginia where he was born

Soon after the house was completed the Civil War  began. Randolph did not support secession from the Union, but once the war began, backed the war financially and sent his three sons to fight for the Confederacy , losing his oldest son, Algernon Sidney Randolph, at the Battle of Vicksburg . With the war coming ever closer to Nottoway, it was decided that Randolph would take 200 slaves to Texas  and grow cotton there while his wife, Emily, stayed at Nottoway with the youngest children, hoping that their presence would save it from destruction. The plantation was occupied by both Union  and Confederate troops and though the grounds were damaged and the animals plundered, Nottoway survived the war with only a single grapeshot  to the far left column that did not fall out until 1971.He selected Henry Howard, a very popular architect of the time, considered to have been one of the finest architects of 19th-century New Orleans . Many of his Greek Revival and Italianate style buildings, churches, and homes can still be found in the city. He also designed the neighboring Belle Grove , now destroyed. Randolph and the owner of Belle Grove, John Andrews, are known to have had a rivalry of sorts that even extended to their homes.[5]  Compiling the materials for his plantation home , cypress logs were cut and cured under water for six years, then cut into planks and dried into what is called virgin cypress. The wood's most notable feature is not its durability, but its resistance to termites. Handmade bricks were baked in kilns by slaves and 40 carpenters, brick masons and plumbers were hired by Howard, who lived in tents at the site of construction while doing their work. The massive home was completed in 1859 along with a variety of other buildings including slave quarters, a schoolhouse, greenhouse, stable, steam-powered sugar house, wood cisterns, and other necessary buildings for an agricultural operation.[6]

With the emancipation  of the slaves, John Randolph contracted with 53 of his former slaves to continue working as paid laborers; when he returned to Nottoway after the Civil War, most chose to return with him. The sugar business was not as profitable after the war and by 1875, Nottoway was reduced to 800 acres (3.2 km2). John Randolph died at Nottoway on September 8, 1883, leaving the plantation to his wife.

Emily Randolph sold the plantation in 1889 for $ 50,000, which she divided equally among her nine surviving children and herself. She died in Baton Rouge  in 1904.[7]

20th century [ edit ]

The new owners of Nottoway were Désiré Pierre Landry and his father-in-law, Jean Baptiste Dugas, whose family owned the plantation until 1909, when Landry's widow sold Nottoway to sugar planter  Alfonse Hanlon. Soon after, Hanlon lost Nottoway to foreclosure in 1913 due to crop failures the previous two years that resulted in tax problems and accrued medical bills by his wife's failing health. Dr. Whyte G. Owen purchased the plantation out of foreclosure in the amount of $10,000.

Dr. Owen, one-time Surgeon General of Louisiana, attempted to run the estate as a sugar plantation, but was not successful. He sold off 1,193 acres (4.83 km2) keeping the house and surrounding property. After his death in 1949, Nottoway was inherited by his son Stanford who lived with his wife Odessa in the house until his death in 1974. Thereafter, Odessa Owen lived alone in the massive house trying to maintain the house with her limited resources. Knowing she was unable to adequately care for the house, Owen sold the plantation to Arlin K. Dease in 1980, who had restored three other antebellum mansions, including the Myrtles Plantation  in St. Francisville, Louisiana  with the caveat that she be allowed to live in house until her death. Dying in 2003, it was at this time the house ceased to be a private home. Dease restored Nottoway, working a crew of 40 to 60 men 12 hours a day, and opened the house to the public three months after his purchase. Arlin Dease sold Nottoway to Paul Ramsay  of Sydney , Australia  in 1985, after he had stayed at the property while in the area for business.[6]

21st century [ edit ]

Under Ramsay's tenure, Nottoway has become a resort destination. The house serves as an inn and is a member of Historic Hotels of America , the official program of the National Trust for Historic Preservation .[8]  Nottoway was listed on the National Register of Historic Places  in 1980 and is a popular tourist attraction in southern Louisiana.[1]

  • Condition: Very Good Condition! See Photos.
  • Artist: Steve Bourgeois
  • Custom Bundle: No
  • Date of Creation: 1990-1999
  • Certificate of Authenticity (COA): No
  • Subject: Nottoway Plantation
  • Size Type/Largest Dimension: 9 x 12
  • Personalize: No
  • Listed By: Dealer or Reseller
  • Type: Print
  • Original/Reproduction: Original Print
  • Style: Realism
  • Theme: Plantation
  • Production Technique: Lithography
  • Print Type: Lithograph

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