Broughton Castle, Near Banbury, Oxfordshire - Seat of Lord Saye & Sele - c1865

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Seller: suffolk_art ✉️ (9,267) 0%, Location: Lowestoft, Suffolk, GB, Ships to: WORLDWIDE, Item: 262801496517 Broughton Castle, Near Banbury, Oxfordshire - Seat of Lord Saye & Sele - c1865.

An Original

Woodcut Engraving

of

"Broughton Castle"

(Near Banbury, Oxfordshire)

by

Francis Orpen Morris

Produced between 1864-1880

The plates were drawn by Alexander Francis Lydon, and printed using Baxters process by a Baxter licensee, Benjamin Fawcett  (1808-1893).

A technically advanced process at the time, being colour printed in eight or more overlays from separate wooden blocks from original draughts (drawn on wood) by Frank Lydon.

NB: This item is being offered, suitably mounted, ready for framing.

FORMAT

Overall Size:- 8 1/4" x 11 3/4" approx

Image Size:- 6" x 9 1/2" approx

This is a genuine antique, being over 130 years old - NOT a modern reproduction.

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About the subject....

Broughton Castle is a medieval fortified manor house in the village of Broughton which is about two miles south-west of Banbury, Oxfordshire, England. 

t is the home of the Fiennes (in full Twisleton-Wykeham-Fiennes) family, Barons Saye and Sele. 

The castle sits in parkland and is surrounded by a wide moat and opens to the public over the summer.

History

The castle was built as a manor house by Sir John de Broughton in 1300 at a location where the confluence of three streams created a natural site for a moated manor. 

The house was sold in 1377 to William of Wykeham, Bishop of Winchester, and has remained in the same family since that time. The original house was crenellated by Sir Thomas Wykeham in 1406. In 1451 it passed by inheritance to the Fiennes family, Barons Saye and Sele. Beginning in 1550 Richard Fiennes transformed the medieval manor into a house in the Tudor style, significantly expanding the building. James I stayed at Broughton Castle on several occasions.

In the 17th century William Fiennes, 1st Viscount Saye and Sele, known as "Old Subtlety", was one of the leading activists against Charles I. 

As a result, the castle was used by Parliamentarian sympathisers, such as John Pym and John Hampden, as a meeting place in the decade leading up to the Civil War. The 1st Viscount raised troops to fight against the king at the inconclusive Battle of Edgehill in 1642. In the following days, Royalist troops besieged the castle, quickly overcoming the defenders and occupying the castle for a time. Following the end of hostilities, reconstruction work needed to be undertaken to repair damage inflicted by Royalist cannon. 

The 1st viscount had evaded signing Charles I's Death Warrant and was able to make his peace with the crown after the English Restoration.

Broughton fell into decay in the 19th century, but was eventually rescued by Frederick Fiennes, 16th Lord Saye and Sele, who brought in the prominent Victorian architect Sir George Gilbert Scott. At the turn of the century the house was rented by the Edwardian socialite Lady Algernon Gordon-Lennox, who transformed the gardens  and hosted Edward VII at the castle. It was the childhood home of Ivy Cavendish-Bentinck, Duchess of Portland.

It is still the home of the Fiennes family, until the 2010s by the 21st Baron and his wife, and in 2015 by his son and his family.

Main rooms

The gatehouse is of 1406, and the block to its left, now the shop and cafe, has Gothic windows facing the moat. 

The main facade is medieval to the left, but in Elizabethan prodigy house style at the centre and right. The chapel is 14th-century Decorated Gothic, the other main rooms that are opened mainly Elizabethan. The great hall runs along the facade. Upstairs there is a long gallery overlooking the gardens at the rear.

The best bedrooms have two very elaborate chimneypieces, in the Queen's Bedroom (used by Anne of Denmark) a stone one heavily decorated with ornament in a style "proclaiming the Renaissance but simultaneously revealing a still very imperfect comprehension of what it was all about". This was presumably the result of a local carver with access to an ornament pattern book such as those by Hans Vredeman de Vries; the two human heads still look distinctly medieval. The other chimneypiece, in the bedroom James I used, is at another stylistic extreme; a very polished and spacious stucco piece in a style comparable to that of the First School of Fontainebleau, and probably not made by English artists. The central medallion, with a mythological scene, is designed by Rosso Fiorentino, and also appears in the Palace of Fontainebleau. 

This is flanked by two large nude boys. The Italian artists of the Tudor court Henry VIII used at Nonsuch Palace have been suggested; the pieces were almost certainly made elsewhere and taken to Broughton.

There are several fine plasterwork ceilings, the most spectacular in the Great Parlour on the first floor, and the Oak Room below it. There is 18th-century painted Chinese wallpaper of different tree, bird and flower designs in three bedrooms, in very good condition. At roof level there is a room believed to be that "with no ears", where the 1st viscount plotted with Parliamentary leaders in the years before the Civil War.

 The gardens have long herbaceous borders, at their best in summer.

Films and TVs

Parts of the films The Scarlet Pimpernel (1982), Oxford Blues (1984), Three Men and a Little Lady (1990), The Madness of King George (1994), Shakespeare in Love (1998), and Jane Eyre (2011) were shot in the castle. TV filming for parts of Elizabeth The Virgin Queen, Friends and Crocodiles, 1975 Morecambe and Wise Christmas Show, Hilary Mantel's Wolf Hall, and the titles of Noel's House Party also took place there.

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About the artist/engraver....

Alexander Francis Lydon (1836-1917), was an English engraver of natural history. 

He worked for Benjamin Fawcett the printer, to whom he had been apprenticed from an early age. He collaborated on a large number of works with the Rev. Francis Orpen Morris who wrote the text. Morris wrote the text for books which were financed and printed by Fawcett, and were illustrated by Lydon. Colour printing showed an enormous improvement on the work of Thomas Bewick (1753-1828).

At first wood-engraving illustrations were coloured by hand, but later a system of colouring from multiple wood blocks was used, as in this example.

The final work which Fawcett, Morris and Lydon would do together was "The County Seats of the Noblemen and Gentlemen of Great Britain and Ireland". Francis Orpen Morris died on 10 February 1893 and was buried at Nunburnholme.

Benjamin Fawcett had died three weeks earlier.

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Thank you for your interest

  • Condition: Good clean condition. Mounted ready for framing.
  • Original/ Repro: Original
  • Type: Antique
  • Medium: Etching/ Engraving
  • Etching/ Engraving Type: woodblock
  • Subject: Architecture
  • Style: Realism

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